Since the beginning, we wanted to shoot inspiring imagery… footage that seems impossible to capture… shots that people will remember. For VidMuze, flying cameras is our favorite way to accomplish this. Our passion is what drives us to strive toward being the best at what we do. As filmmakers, we’re always thinking of new techniques […]

Read more

Today’s drone tip is going to explain why a drone pilot for aerial cinema needs to have a reference monitor. Those of you who don’t know, a reference monitor is a video feed in front of the pilot that shows the shot from the gimbal. Now as a drone pilot, I fly by LOS (line […]

Read more

As a drone company, we must always be in complete communication with our team members during the duration of each drone flight.  That’s why we use Eartec headsets. This entails myself as the pilot to talk with my gimbal operator while being able to communicate with my visual observer. So after testing the Eartec headsets […]

Read more

When shooting aerial cinematography, controlling the amount of light that enters your lens can be accomplished simply with a ND (neutral density) filter or a variable ND. Those of you who don’t know, a ND filter goes in front of your lens via a matte box or depending on your lens, you can screw the ND […]

Read more

[divider] We always receive a lot of questions about what drone gear do we use when out in the field.  Folks also like to ask how do we have our drone gear setup. We went ahead and broadcasted a Facebook Live session recently showing everyone a general overview of our gear.  Here’s the drone gear that […]

Read more

Most aerial companies that I have found always mount the MoVI controller to either a tripod or a camera cart. A lot of times when we’re flying our drones, we need to remain mobile. It seems that half of our aerial shoots entail hiking down some mountain ravine where we need to keep hauling gear […]

Read more

Some users have complained that once they get their drone airborne, they only get around 500-600 ft of range before the MoVI Controller loses connection. From our extensive testing, folks should be getting between 1000-1200 ft, LOS (line of sight). There are two main factors you need to be aware of to maximize your distance. […]

Read more

There are a lot of reasons why you need to use a Jetpack module with a Red Weapon camera on a MoVI gimbal. Here are three of the more important reasons. Snagging Cables. When using the I/O module, all of the cables plug straight in horizontally. This takes up more rear space and limits you […]

Read more

Freefly announced on November 2, 2016 their latest piece of camera movement gear… the MoVI Pro. Freefly went to town on the amount of improvements they made on this new gimbal. Now the MoVI Pro is going to replace the M10 and M15. Freefly is still going to sell the M5, but discontinue the M10 […]

Read more

Those of you with gimbals such as the Freefly Systems MōVI should know by now that you can shoot inverted or as some call it, “over slung.” Now just a side note, the M5 and M15 were the only two MōVIs that supported inverted mode. M10 users could not go inverted due to the fact […]

Read more