As a drone company, we must always be in complete communication with our team members during the duration of each drone flight.  That’s why we use Eartec headsets. This entails myself as the pilot to talk with my gimbal operator while being able to communicate with my visual observer. So after testing the Eartec headsets […]

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So when flying a camera on your heavy lifter drone, the camera is going to have one of two video outputs. Either HDMI or SDI.  Now you need to make sure that your HD downlink system is compatible with the output of your camera. We have been very happy with the Connex systems, however this downlink […]

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When shooting aerial cinematography, controlling the amount of light that enters your lens can be accomplished simply with a ND (neutral density) filter or a variable ND. Those of you who don’t know, a ND filter goes in front of your lens via a matte box or depending on your lens, you can screw the ND […]

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Welcome Aboard the U.S.S. VidMuze In February I reunited with Mike and Ryan on the VidMuze team as a grip and audio tech for an eight day production. Our crew traveled from the mountains of Asheville to the coast of Wilmington promoting the community college system of North Carolina. On our journey we visited several […]

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During this Facebook Live session we discussed Connex antenna upgrades to improve the overall range of the Connex system. I wanted to mention that we have tested both Teradek and Paralinx HD downlink systems, and for the range, the Connex system is the way to go for aerial drone platforms. Our gimbal operator’s setup includes […]

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[divider] We always receive a lot of questions about what drone gear do we use when out in the field.  Folks also like to ask how do we have our drone gear setup. We went ahead and broadcasted a Facebook Live session recently showing everyone a general overview of our gear.  Here’s the drone gear that […]

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Most aerial companies that I have found always mount the MoVI controller to either a tripod or a camera cart. A lot of times when we’re flying our drones, we need to remain mobile. It seems that half of our aerial shoots entail hiking down some mountain ravine where we need to keep hauling gear […]

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Some users have complained that once they get their drone airborne, they only get around 500-600 ft of range before the MoVI Controller loses connection. From our extensive testing, folks should be getting between 1000-1200 ft, LOS (line of sight). There are two main factors you need to be aware of to maximize your distance. […]

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There are a lot of reasons why you need to use a Jetpack module with a Red Weapon camera on a MoVI gimbal. Here are three of the more important reasons. Snagging Cables. When using the I/O module, all of the cables plug straight in horizontally. This takes up more rear space and limits you […]

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Freefly announced on November 2, 2016 their latest piece of camera movement gear… the MoVI Pro. Freefly went to town on the amount of improvements they made on this new gimbal. Now the MoVI Pro is going to replace the M10 and M15. Freefly is still going to sell the M5, but discontinue the M10 […]

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